John Salmon Jazz Trio to Perform March 24
Posted on Wednesday, March 16, 2011 [3:55 PM]

The John Salmon Trio will perform at 7 p.m. CT on March 24 in the
W.W. Slider Humanities
Center Recital Hall. From left: Steve Haines, John Salmon and
drummer Thomas Taylor.
COLUMBIA, Ky. -- Jazz Appreciation Month is not
until April, but the Lindsey Wilson College community will get an
early start on the annual celebration of one of America's greatest
art forms when the John Salmon Trio performs on March 24 on the LWC
A.P. White Campus.
The John Salmon Trio will perform at 7 p.m. CT on Thursday,
March 24, in the W.W. Slider Humanities Center Recital Hall. The
event -- which is part of the Lindsey Wilson Cultural Affairs
Series -- is free and open to the public.
The concert will feature a wide variety of jazz standards from
Cole Porter and Antonio Carlos Jobim as well as original pieces by
Salmon. Salmon's latest CD, Salmon Is A Jumpin', was
recently released on Albany Records.
"Although jazz is a very large, multifaceted tradition, the kind
of jazz we play is pretty standard," said Salmon, who is a faculty
member at University of North Carolina at Greensboro.
In addition to Salmon on piano, the trio includes fellow North
Carolina-Greensboro faculty members bassist Steve Haines and
drummer Thomas Taylor. In addition to North America, the three have
also performed together in Asia and Europe.
Salmon said the legendary jazz composer and pianist Dave
Brubeck, who pioneered what became known as the cool style of jazz
music, has heavily influenced his style. North Carolina native son
the late Thelonious Monk, who was one of the founders of the bebop
style of jazz, and the late Bill Evans, another icon of mid-20th
century jazz, have also influenced his work.
"I think I can speak for my drummer Thomas Taylor in saying that
his strongest influences have been Max Roach and Elvin Jones, while
my bassist Steve Haines would surely count Ray Brown and Charlie
Mingus as important sources," Salmon said.
The March 24 concert at LWC will feature a good bit of
improvisation, which is at the heart of jazz.
"Most of the time, we follow the standard jazz procedure of
playing the 'head' -- the melody of the piece -- followed by
improvisations over the chord pattern of that piece," Salmon said.
"Sometimes we engage in 'free improvisation,' as we will do in my
piece 'Life So Far,' which has a portion that is completely free --
we don't have anything planned out."
Salmon, who is known for his association with and recordings of
Brubeck, plays both classical and jazz music. As he pointed out,
the two musical genres share several characteristics.
"I have always played classical music -- Bach, Beethoven, Chopin
-- but I've also always played jazz," he said. "It's like speaking
two languages, perhaps speaking two Romance languages. … There are
jazz harmonies embedded in late-19th century French classical
music, the same chords Duke Ellington used in the 1920s."
Haines, who is director of the Miles Davis Jazz Studies program
at North Carolina-Greensboro, has recorded with Branford Marsalis,
Jason Marsalis and Jimmy Cobb. He orchestrated and arranged the
musical Ella: The Life and Music of Ella Fitzgerald.
Taylor has taught at the legendary Jamey Aebersold Summer Jazz
Workshops at the University of Louisville and has performed with
Ellis Marsalis, Kenny Garrett, Eric Alexander, Kevin Mahogany,
Vanessa Rubin, David Baker, Bill Charlap, Cedar Walton and Mulgrew
Miller.
The John Salmon Trio will perform at 7 p.m. CT on Thursday,
March 24, in the Lindsey Wilson College W.W. Slider Humanities
Center Recital Hall. The event is free and open to the public. For
more information, contact LWC Cultural Affairs Chair Phil Hanna at hannap@lindsey.edu or (270)
384-8250.